“Stop cringing — at your future, at your failure, at yourself in the mirror — and stand up and look directly at who you are. Not who you should’ve been, but who you are now. Let that person in. Let her be as mediocre and wrong and shameful and sad and miserable and brilliant and hilarious as she wants to be, because she knows exactly what you need to feel good. She has plans for you. She wants to show you what comes next. She wants to take you into the future you’re dreading and say, “See? You never would’ve imagined this.”
Yesterday I almost cried because my baby cousin ran up to my grandmother and was like. “Ha! Buhbuh ba ha.” And she said okay you want to show me something? And he led her over to the garden patch and crouched down and pointed at rocks and plants and was like. “Ah. Habah ba ah” as she listened attentively.
And I was like that happened 1,000 years ago. Probably 10,000 years ago. Maybe 100,000. The youngest human in a group went to the oldest one and said to the best of their ability “come see.” And the adult went.
this is such a beautiful post it doesn’t need my dumb addition, but i can’t fit this in the tags. at the archaeological site Dolni Vestonice in the Czech Republic there are a bunch of really really fascinating finds and I’m only going to tell you about one tiny detail of one of the most interesting sites in the world.
at this settlement 20-30,000 years ago there lived a person who appears to have been a sort of sorcerer-grandmother-ceramics artist and her workshop was preserved very well in the sedimentary layers. her hut where she had her kilns was full of little sculptures of animals and people that seem to have been made to explode in the kiln on purpose, we’re not sure why but nevermind. the relevant detail is that when you sculpt something with your hands and then fire it, your fingerprints can be preserved in the surface of the clay forever, so we have fingerprints of ancient ceramics artists that have survived for tens of thousands of years. and one of the major artifacts from Dolni Vestonice has a fingerprint on it that is so small it could only have belonged to a child
so this shaman-grandmother-sculptor, who was buried with her pet fox by the way, had children running through her workshop and touching everything she made while she was at her mysterious work of creating the world’s oldest ceramics, none of which appear to be bowls, bottles, pots, or any “useful” items at all, but rather a collection of animal and human and sometimes anthropomorphic figures, some of which appear to be self portraits. exactly the same as sandersstudios’ grandmother being led to the garden by an excited baby. we’ve all been the same for 30,000 years.
“Almost every woman I have ever met has a secret belief that she is just on the edge of madness, that there is some deep, crazy part within her, that she must be on guard constantly against losing control - of her temper, of her appetite, of her sexuality, of her feelings, of her ambition, of her secret fantasies, of her mind.”
Elana Dykewomon, ”Notes for a Magazine,“ Sinister Wisdom #36 (Winter 1988/89).
[Edit: this post is 10 years old and just recently gained a lot of attention. I had no idea the links were broken. You can find an article about the artist here.]
Where we are and where we're going.
